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Thursday, January 03, 2013

Bonus Drasha: Fifty Shades of Toirah

THE COLLECTED WRITINGS OF RABBI PINKY SCHMECKELSTEIN

http://www.lulu.com/spotlight/Rabbi_Pinky

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Bonus Drasha: Fifty Shades of Toirah


Rabboisai,

I cannot believe I am about to share this with you, my beloved Talmid, but my conscience requires it.

I am the scion of a great Rabbinic family, whose commitment to Toirah goes back many generations. Through my descent from my great, great, great grandfather, the Kutsker Ruv, I am strongly committed to the practice of Shnayim Mikra VaEchad Targum, reviewing the weekly Toirah portion twice prior to Shabbos Koidesh. In truth, the vast majority of my contemporaries review the Parsha out of a simple Chumash, sitting in the Bais Medrish or on a train, or while looking at their iPhone Toirah App while waiting on line to pick up a dozen lottery tickets.

But not me. I have inherited from the Kutsker a grand tradition -- Shnayim Mikra VaEchad Targum must be performed using a Klaf, a literal Sefer Toirah, to bring about the true closeness between Klal Yisroel and the Aimishteh who hovers above us at all times.

It is with this background that I describe a unique episode that occurred last week. I was visiting the Bais Medrish of Chofetz Chaim in Queens, and was somewhat surprised at the haste with which the Talmidim abandoned the Bais Medrish in order to watch the men's gymnastics competition at Queens College. I was all alone. And I needed to complete my family Minhag, as Shabbos Koidesh was only one day away.

With no one in sight I approached the Aroin Koidesh, slowly pulling back the curtains to reveal a five foot Toirah peeking out at me, covered in a maroon velvet dress. I reached into the Aroin, at first teasing the taut embroidery, circling it slowly with my fingers. I then lightly put my hands around the Sefer Toirah, gently feeling around its curves, and slowly but delicately lifted it out of its location by its underside. As it became freed from its restraints, I brought the Toirah close to me, holding it near to my chest, the exhalation of my very breath depositing moisture on the tip of the velvet cover.

I hugged the Toirah in the crook of my arm as I slowly and cautiously carried it to the Bimah. This was a beautiful Toirah, soft to the touch, with a clean, earthy scent. After gently laying the Toirah down, I leaned over and kissed its center, its belly, feeling a little give as each of two scrolls parted slightly at my touch. As the Kabbalists tell us, as much as the calf wants to suckle, the cow wants to give of its milk. And I sensed the longing of the Toirah to open itself to me.

With a slow but steady hand I began to remove the Toirah Deckel, the cover, tugging it up slowly as it willingly yielded to my touch, ultimately allowing it to fall to the floor. The Sefer Toirah was now completely exposed, save its belt, whose role was to modestly preserve the holy works of the Rebboinoisheloilum. The parallel rolled scrolls on either side were interlocked at the top and the base. My right hand drifted, lazily sliding from the top of the scroll to the belt, and I felt the smooth, cool, tightly wound parchment against my palm, which had begun to perspire slightly.

My hand reached the belt, the elasticized velvet sash linked at the center by a metal buckle. I unlatched the buckle with a deft flick of my finger, a move I had employed countless times before. I carefully slid the belt out from under the Toirah’s back, letting it, too, slide to the floor.

With its girding no longer in place, the scrolls parted softly. I gently nudged them apart, encountering little resistance. With a little more push on the handles, the scrolls opened for me completely.

A rush of excitement came over me as I saw my ultimate goal: The busy, curved black and white patterns of ink on parchment, a contrast that thrills me as much today as it did the first time I beheld a Toirah up close as a young Yeshiva Bucher.

I started by focusing on the first Aliyah. I took my Yad and gently followed the lines, right to left, right to left, right to left. The Toirah responded to every touch of my Yad, offering give when I applied slight pressure, heaving slightly up as I pulled my Yad back.

At that very moment, the world around us had melted away This was the Toirah’s purpose, this was my purpose – a delicate dance, a coupling of Toirah and Scholar.

The gentle interplay continued for nearly thirty minutes. As I completed the first Aliyah, the second Aliyah, the third… my focus on the Toirah intensified, and I found myself rushing to complete the Parsha, while trying to no go too fast.

As I neared the end of Shviyi, my concentration was broken, as one of the Yeshiva Buchrim reentered the Bais Medrish with a handful of tissues and proceeded to diligently wipe down his Shtender. He suddenly looked up and asked, “Why are you touching that Sefer Toirah?”

“It is my Minhag”, I exclaimed, suddenly feeling self-conscious. I tried to disguise my embarrassment and frustration, unsuccessfully.

The Bucher walked over to the Bimah and stared, first at me, then at the Toirah Deckel and belt on the floor, and finally at the Toirah itself. “But that Sefer Toirah is Passul!” he declared, as he ascended the Bimah and reached down to pick the velvet cover and belt off of the floor.

“But I must finish!” I insisted, my face growing redder by the minute.

The Bucher tried to push me aside, using his body to shove me out of the way. But my anxiousness had reached a fever pitch. Using my right arm I blocked the Bucher’s access to the Toirah. With my left arm, I reach for the nearest object I could find, in this case a copy of the Artscroll Siddur for the Baal Tefillah. I lifted the oversized volume and used it to strike the Bucher in the head, knocking him off of the Bimah. As he fell back, he struck his head on a copy of Mesilas Yesharim lying on the table next to the Bimah and fell to the floor, unconscious.

I took the next few minutes to hurriedly complete my session with the Toirah, breathlessly finishing my review of the Parsha with an awkward flurry. Pausing for a moment to recover, I then quickly redressed the Toirah, and gently placed it back in the Aroin Koidesh.

Shnayim Mikra VaEchad Targum. For some it is a burden. For others, it is a labor of love.

----
Rabboisai,

Undoubtedly some of my readers may have taken offense to my anecdote for its erotic echos. However, those readers are complete Neveilah ignoramuses. Yiddishkeit is filled with erotic imagery when describing Klal Yisroel’s relationship to Hakadoshboruchhu and to the Toirah, and to human relations between men and women. We see this throughout the Toirah. In Shir Hashirim for example, “Smoiloi Tachas LeRoishi, ViYiminoi Techabkaynee”, “Let his left hand be under my head, and his right hand embrace me.” (Shir Hashirim, Perek Baiz, Passook Vuv).

Or in many references in the Zoihar. One example:

"… just as a Lulav does not grow (and bear fruit) unless the male be planted by the female, so the Tzaddik cannot flourish save when husband and wife are united, when the male aspect of Tzaddik is united with the female aspect of Tzaddik, as with Avraham and Sarah" (Zohar, Bereshit 82a).

Ours is a religion for adults, male and female. But if you cannot handle the adult nature of the Toirah, I suggest you give up studying Gemarrah or performing Shnayim Mikra VaEchad Targum, and instead focus on reading The Little Midrash Says, or Mesilas Yesharim.

Ah Gutten Shabbos, you Minuval


Rabbi Pinky Schmeckelstein
Rosheshiva
Yeshiva Chipas Emmess

1 comment:

Anonymous said...

What a deep and forceful analysis this was - breathtaking!
I have heard though that the 50 shades of toyrah mehalich requires one to keep the toyrah tied down with the gartel, and use the Yad in a forcefull manner, even sometimes causing marks or in the scroll.

Kol Tuv